Seattlepi.com’s Ghost Town

200px-the-omega-man-posterThose eager for Hearst’s splashy debut of its great online experiment, seattlepi.com, are in for a big letdown. It’s Wednesday, March 18, the first day of the Seattle Post-Intelligencer’s digital age, and the Web site looks, well, like everyone who wasn’t staying packed up and left, and the few who were coming back are still hung over from the Monday-Tuesday wake. The content model appears to be: We’re making this up as we go along.

I was going to lean on my nearly three decades of experience as a sportswriter, columnist and editor, both print and online, to offer some insights on how seattlepi.com was going to approach sports. Clicking on the “Sports” section from the main navigation bar is like being transformed into Robert Neville, the Charlton Heston character in “The Omega Man” (or Will Smith in “I Am Legend,” for you more contemporary fans of post-apocalyptic movie fare). The place is a ghost town and you know there are digital mutants lurking about, but they have yet to reveal themselves.

The lead and only story on the Sports page is a remnant from the day before, ”Can the ‘Zags Go All the Way?”. Thank goodness, there are TV/radio listings, but, oops, they are from Monday, March 16, and Tuesday, March 17, as if sports on the airwaves died along with the P-I print edition.

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The Place and People I Hated to Love

For a good 12 out of my 17 years at The Seattle Times, I felt total hatred for our arch-enemies, the Post-Intelligencer. It was, I admit, my way of generating the competitive juices to engage in the daily dance of newspaper journalism and, I understand, it is not rare for the industry. I took that competitive hatred to new levels, however, generally refusing to socialize with my colleagues on the road, the way it was done in city after city across the country.

P-I's Go 2 Guy

P-I's Go 2 Guy

The five-year gap in my streak of “total hatred” for the opposition is the fault of Jim Moore, today one of my dearest friends and the “Go 2 Guy” columnist for the dearly departed P-I and now the renewed digital version, seattlepi.com. I fully intended to hate Jim, as I had his predecessors Kenneth Richardson, Carter Cromwell and Art Thiel. But anyone who has met him will agree that he is one of mankind’s thoroughly un-hatable members. He is the way he comes off in his column — an irreverent, say-first, think-later, life-loving carouser with a heart of gold and the quickest of any person I’ve ever met to explode with laughter and force you to do the same.

If Jim’s colleagues were people I loved to hate, he was the exception that I hated to love.

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The Good and The Bad Plus

When I was invited to shoot an in-studio performance by The Bad Plus for NPR-affiliate KPLU in Seattle, Wash., I didn’t hesitate to accept. This is one of the most unique groups to emerge in the jazz genre in years. Describing it, in fact, forces one to retreat to a thesaurus.

The Bad Plus — bassist Reid Anderson, pianist Ethan Iverson, and drummer David King — is raucous, unexpected, often mind-bending music. Wendy Lewis, an indie-rock singer, joins them on their latest record, “For All I Know” on Heads Up. They are well known for their rock covers (Kurt Cobain’s “Lithium” is on the new disc), but that term really unfairly pigeon holes them.

This is Iverson, from his piano’s perspective:

Nikon D700, 200 mm f2.0 lens, ISO 2000, 1/320th at f2.0.

Nikon D700, 200 mm f2.0 lens, ISO 2000, 1/320th at f2.0.

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Jazz and the Flip Mino HD Camera

I’ve been meaning to mention the Flip Mino HD video camera, and posting the video from the University of Washington students (shot on standard Flip Mino cameras) the other day kicked that memory back into living color.

To wit, Bobby Hutcherson performs on the vibes at the Crystal Ballroom during the 2009 Portland Jazz Festival:

more about "Bobby Hutcherson on Vimeo", posted with vodpod

Now this is a tool that even the least tech savvy users can get up and running in no time. Really, all you have to do is press the big red button to record. A 1.5-inch LCD screen reveals all the action. The lens zooms with the + and – buttons, but even if one didn’t know that, she or he could use the “human zoom” (moving closer), which is the preferred way anyway. The unit has 4 GB of onboard memory, enough to shoot about an hour of HD video.

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Seattle P-I Closing

Reported and produced by Jane Austin, Rebecca Livingston, Sasha London and Helena Habes. The piece was produced entirely with Flip Mino cameras.

more about "Seattle P-I Closing", posted with vodpod

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